How many of you have watched the many “family movies” of the 70s and 80s? I’m talking about these melodramas involving large families, scheming mothers-in-law, “modern” daughters-in-law, “henpecked” fathers-in-law, helpless husbands torn between all the other participants,
and always, always, always
One very evil mama. (For any non-Indian readers here, a mama is a maternal uncle in most Indian languages).
The mama character was usually depicted as a shiftless fellow leeching off his sister’s household, the sister being the all-powerful mother-in-law of the family. Being jobless, his main focus would be to try and drive wedges between other family members and especially between the new DIL and others. His ultimate objective would be to keep his own position as his sister’s advisor secure and thus guarantee a lifetime of living free off someone else.
I have to wonder - why was this mama so popular with film-makers and by inference, audiences?
My guess is that this mama figure succeeded well for so many years because he tied in deeply with people’s notions of what “family” means. Traditionally, family always referred to a man and his parents, his wife, his children. For a married woman, family refers to her husband, her in-laws and her children. Of course, women did not abandon ties with their natal homes, but there were very strict rules about the limits that had to be maintained.
Daughter visiting parents - good. Daughter visiting parents too often - not good. Parents visiting daughter - good. Parents visiting daughter too often/staying with daughter - not good at all. (There are Indian matriarchal/matrilineal communities too, but they are an exception).
Staying at a married sister’s house is a gross contravention of these societal norms, and interfering in her family - even worse. Such a mama makes for a ready villain, indeed.
Could there always have been deeply-registered fears in Indian minds about forces that could break up a family and by extension its land, its wealth? Perhaps undue influence by women’s’ natal families, represented by the mama character, was seen as one of these forces.
That is worth thinking about when you consider that two of the great villains of Indian tradition - Kamsa from the Bhagavatam and Shakuni from the Mahabharata - were both mamas.
apu In General, Women & Feminism
What People Say