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The Monochrome Madonna

October 26th, 2010

For the last year or so now, I have been avidly pursuing murder mysteries by an Indian author or with an Indian connection - some have turned out very good (The Englishman’s Cameo, A Nice, Quiet Holiday) and some tolerable (Piggies on the Railway, The Case of the Missing Servant).

The latest in this genre to fall in my way is The Monochrome Madonna by Kalpana Swaminathan (of Kalpish Ratna fame). I approached the book very positively, having read much praise of their work, but I have to confess, The Monochrome Madonna left me feeling let down.

First, a quick outline. The Monochrome Madonna is a ‘Lalli mystery’, Lalli being an ageing detective who has retired from the Bombay police. For much of the novel, however, she is away and it is her niece Sita (Sita, not Seeta, she reminds you, though I still can’t tell the difference) who is stuck with the corpse and the sleuthing. Sita is all at ends and the involvement of Ramona, a friend’s suicidal teenaged daughter doesn’t help. The couple in whose flat the corpse is found, are an odd pair, and for much of the novel, it is not clear what any of the characters are thinking. It is only upon Lalli’s return that things start falling into place - slowly.

Part of the reason the book didn’t appeal to me much is the somewhat florid language. Especially in the first half of the book, everything is simile, and rather outlandish ones at that.

Festive in a hot pink and purple chaniya-choli, she looked like a designer candle, solid, waxy, sequined. Besides I didn’t like her voice. It rang like a coin at the end of every sentence, metallic, definite, with an exact sense of its value.

The scalp had unfurled like a scarlet hibiscus, trailing sticky pistils of bloof all over his matted hair.

There was a light bulb up there. It made the maw of that low space smoulder like a sulking volcano.

All this within 10 pages, by which time, I was wishing that the book had a ruthless editor who would’ve chopped off the verbiage. This is part of the reason why at 250 pages, the book feels too long.

The other (and perhaps larger) issue with the book is that the plot itself is too slow for a mystery. For long stretches, nothing much happens. Even when Lalli returns and things start ‘happening’, we are not given much insight into the motivations of any of the characters. There are interesting digressions and Sita is the one character that comes out strongly etched, but it isn’t enough to make up for the somewhat vaguely written and numerous other characters.

At the end of a mystery novel, I like to be able to plot together a logical outline and trace how the author has led up to a certain ending. It is no fun to feel that character A could as well have been the murderer as B, and the only thing preventing that was the author’s whim. I guess what I’m saying is that the reader needs to be able to work with the detective and at the end feel that the culprit had the best possible motive/opportunity.

With The Monochrone Madonna, this doesn’t happen - the end feels quite arbitrary, which to me, is the worst sort of thing one could say about a murder mystery.

Publisher: Penguin Books India

Price: Rs. 250

    Related Posts You May Like
  1. Piggies on the Railway
  2. The Case of the Missing Servant
  3. A Nice, Quiet Holiday

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